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Vapor Trails | 
| Artist: Rush Label: Atlantic / Wea Category: Music
List Price: $7.98 Buy Used: $3.72 as of 9/9/2010 10:28 EDT details You Save: $4.26 (53%)
New (38) Used (37) Collectible (1) from $3.72
Seller: abundatrade Rating: 818 reviews Sales Rank: 1148
Media: Audio CD Discs: 1 Shipping Weight (lbs): 0.2 Dimensions (in): 5.6 x 5 x 0.5
UPC: 075678353123 EAN: 0075678353123 ASIN: B000065DTE
Release Date: May 14, 2002 Availability: Usually ships in 1-2 business days
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| Tracks:
| • | One Little Victory | | • | Peaceable Kingdom | | • | Ghost Rider | | • | Ceiling Unlimited | | • | The Stars Look Down | | • | How It Is | | • | Vapor Trail | | • | Out Of The Cradle | | • | Earthshine | | • | Sweet Miracle | | • | Nocturne | | • | Freeze (Part IV of 'Fear') | | • | Secret Touch |
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| Editorial Reviews:
Product Description No Description Available. Genre: Popular Music Media Format: Compact Disk Rating: Release Date: 14-MAY-2002
Amazon.com The songs on Vapor Trails may not be as instant or accessible as those on their previous albums, but the Canadian trio is definitely playing harder and bolder than they have in years. Layers of guitars have replaced most of the keyboards, setting Alex Lifeson free to explore new territories and textures. Geddy Lee is also given more playing space, such as on "Peaceable Kingdom," where his bass parts take the role of rhythm guitar. The arrangements are intricate and interesting throughout, yet never overwhelming. "Secret Touch" twists and builds from melody to a monsterous jam, while Neil Peart's awe-inspiring drums give extra power and dynamics to the album's heavier numbers, such as "Nocturne" and the bombastic lead cut, "One Little Victory." Lee's vocals and harmonies add great depth to "Earthshine," while the airy "How It Is" soothes with nice open chords and jangling guitars. Rush has taken one step forward while keeping one foot back in a rawer sound, all the while continuing to evolve musically. --Gail Flug
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| Customer Reviews:
Showing reviews 1-5 of 818
They're back August 29, 2004 John S. Ryan (Silver Lake, OH) 73 out of 86 found this review helpful
If all you can hear in this CD is a bunch of noise, well, you need to give it a few more listens, that's all. Leapin' lizards, Sandy, this is Rush, after all.
They almost caught me like this once before, when they shifted their sound in the mid-1980s. I didn't (and don't) especially care for the U2-meets-Duran Duran sound they adopted at that time, but did it mean they'd 'sold out'? Let's not be silly, folks; Rush have never come within fifty miles of selling out. And whether their '80s material represented my favorite sound or not (and believe me, I'm under no illusion that Rush spend their time in the studio trying to record stuff that specifically pleases _me_), that period included some of the finest _writing_ these guys have ever done. (Their _haircuts_, on the other hand . . . well, never mind.)
Now they've shifted again -- this time after a six-year hiatus. Bassist Geddy Lee is doing a lot of chording way down there in the bottom end, and guitarist Alex Lifeson is filling about 65% of the CD with such a fuzzed-out wall of noise that it sounds like the music has been invaded by a county-sized swarm of angry killer bees. So Rush have become just another alternative band with a slightly-behind-the-trends 'grunge' sound -- right?
Sure, kids. Now go back to your Tool CDs and let the grownups listen in peace. [EDIT: I'm not knocking Tool here, as one or two commentators on this review seem to think. I like Tool. I'm just poking fun at the notion that Rush are following a trend and have become just another band in some genre or another.]
Percussionist/lyricist Neil Peart's lyrics have gotten steadily darker, more oblique, and more personal over the last two decades. Here, no doubt owing in large measure to his personal tragedies of 1997-98 (which we don't need to relive here), he's written some of his most sharp-edged material; on some of these lyrics you can actually cut yourself. I won't say it's the very best stuff he's ever written (and I won't say it's not) -- but if you've ever liked Peart's lyrics, you should like these. A lot.
Almost every Rush album -- certainly every one since _Permanent Waves_ -- has a thematic unity that's captured in the title (and Hugh Syme's marvelous cover art). On _Signals_ it was success and failure in communication; on _Roll the Bones_ it was the taking of risks; on _Counterparts_ it was the mysteries of relationships (mostly romantic); and so forth. Here, surprise surprise, it's transitoriness and evanescence against a backdrop of permanence. ('The Stars Look Down' may -- I don't actually know -- have been inspired by a remark of Emerson's about a time when he rushed out of a meeting very excited about something or other and looked up at the night sky: the stars, he said, seemed to be looking down at him and saying, 'Why so hot, little man?')
So what's up with the music? Well, I'm afraid it's hard to do that sort of thing justice in a verbal review; all I can say here is that you should keep listening. It really does make sense after you listen to it a few times (and the lyrics are _much_ better matched to the music than I thought on my own first pass through it). Yes, it takes several listens; can you name a Rush album that didn't? Yes, Lee's voice is sometimes hard to make out through the wall of industrial noise; what was the last Rush release we could listen to _without_ the lyric sheet open in front of us?
For thirty years these guys have been releasing albums, and for thirty years every one of them has been greeted by _somebody_ with 'Well, that's it; the Rush we knew and loved is dead and gone, and this clunker will clearly be their last recording.' It ain't so.
I think some listeners somehow expect Rush to sit aloof from all popular musical trends and hand down songs from Olympus or something. Those listeners are bound to be disappointed. These guys do listen to other people's music, they do like some of the things they hear, and they do adapt other musical idioms to their own ends. They've done it for thirty years and they're still doing it here. That doesn't make them anybody's camp followers.
It's Rush. It's good. It's that simple.
A New Evolution - Their Best Work December 10, 2002 Bleu Destiny (Valencia, CA United States) 8 out of 8 found this review helpful
I've always been a fan, and have been somewhat disappointed by every release since Grace Under Pressure. This album was initially more of that same letdown. After seeing them perform it live, I seemed to hear the artestry of the album for the first time, and realized that this is not an album you can hear properly at low levels or when there's outside noise (such as in the car when its not turned up enough). I now hold this as possibly my favorite Rush album ever. It is a new evolution in Rush's works, they've transcended to another level, and it is a wonderful state. The breathless pacing of their musicianship has changed to one of ever so subtle mastery. I'm in awe.
Gracious gift February 21, 2003 Carlton D. Garrard (Rancho Santa Margarita, CA, United States) 10 out of 11 found this review helpful
Its interesting to read the reviews of others on this album. All I can say is that im still learning from it, as I am learning from the others. I think it is incomprehensible to understand this album so quickly, as they are in a state of grace mentally and spiritually, far beyond my current state. I have to say that the music and the lyrics are an improvement over the past albums (im sure they would want us to see that) in many respects, and if you take the time to "listen" to this album, you may just one day understand everything it has to offer... (may understand). After reading "Ghost Rider" this album now has taken on a deeper understanding with myself, and im catching new clues from it everyday. It is a true delight to listen too, with harmonic highs and musical creativity coming through on every song. I am, as usual, truly amazed by thier work, and feel fortunate to live in this time and era with such an amazing group of 3 men. Of course I would reccomend it, as I would every one of thier albums. Rush in my opinion, has set a standard of excellence far ahead of thier time in every facet of their being. They are not only an incredibly successful "rock band", they are also wonderful role models, both musically and personally. I only hope that people will be moved by thier "Vapor Trails".
This one is a grower, but ultimately a classic May 30, 2002 A Total Rock Enthusiast (Minneapolis, MN) 24 out of 30 found this review helpful
Actually more like 4.5 stars, but I'll take the positive slant. I'm not often compelled to write many reviews here or elsewhere, even for albums I really like, but this is one album that really surprises me.I'll be honest, this album probably won't blow you away of first listen, as it is not very commercial. It takes some time to soak in the character and qualities of the songs. Upon first listen, like reviewers before me, I also thought initially that it was a good album, but not great. The second listen was a little better. On the third listen, I was really blown away, and have been ever since. It's heavier, more energetic, and more youthful sounding than most people will expect. Alex exerts his heavy guitar-rock jamming influence profusely. They also seem to have reclaimed more emotion than in a long time: anger, joy, hopefulness, fearfulness, and a lot in between, than they've done in a very long time. It's also a little muddier, less starkly experimental than most latter-day Rush albums. There's a very cool and vital balance they achieved with this record. Many moments are classic rock guitar sound, and many other moments could only come from very contemporary hard rock and metal influences. As always, Rush has evolved with the times, and yet still manages to sound essentially like Rush. While there are no filler tracks on this records, I won't bore everyone with a track by track analysis. You'll need to hear them for yourself, anyway. But, to wet your musical appetite, here are some songs that are kicking my a$$ right now: "Ceiling Unlimited": heavy, but accesible, a little like early U2. "Peaceable Kingdom": Stark, very heavy, not a weak moment. "How It Is": closest to a classic rock track, pretty smooth, catchy. "Secret Touch": really jams, great guitar solo somewhat hidden in the mix. "Earthshine": part classic rock, part grungy guitar, all jamming. "Freeze": A stunner, The part 4 of Fear surprised the heck out of me. Very heavy, hardcore, great guitar sound. "Out of the Cradle": a very energetic and melodic album closer, sounds very jacked up, great hooks too. The rest of the album tracks will probably be slower to warm up to, but give them time, they may surprise you, because they also rock. I think there is substantially great material here for old Rush fans and newer ones alike. Like I said, you will have to give this one a little bit of time to grow on you, but the pay off is so worth it. Rush faithful will have little trouble with that, but this one really ought to win over new fans. This record, actually surprised me when I didn't think they ever would again, and has me all jacked up for the new tour, reminding me once again how Rush are so damned underrated by most people, it just makes me ill. For those who have not seen Rush live: it's the best part of all, you MUST go to a show. I won't miss seeing them at least twice per tour. Sorry for the long post. Take care, God Bless, and happy listening to a great new record.
One of the best prog rock albums ever, period. November 23, 2002 William M. Boblitt (Fair Oaks, CA) 9 out of 10 found this review helpful
This album amazed me, because a few times in my life I have heard albums that took a while to grow on me. This one, I have to say, I didn't really like at all, except Ghost Rider, on first listen. Well, the problem was I was cranking it up on my car stereo, which is a good one, but not so great for lots of ditorted guitar. I just sat down and listened to this on headphones, months after I bought it, and it was one of the most amazing musical experiences of my life. The moral of the story, listen to this either on a very high end system that is good at highlighting all the subtle dynamics of all types of music, or listen to this on headphones. There are so many different things going on, the atmosphere of this is thick, and the whole thing plays along almost like a concept album, each song flowing perfectly into the next, and evoking an incredible array of emotion with both lyric and music. Especially the first 6 tracks, they kept me spellbound nonstop, there are a few slow spots but not many. Don't use this for background music, sit and focus on this and listen from beginning to end, and I guarantee that you will either agree that it is actually the best Rush album ever made, yes, even better than Exit or Test for Echo, or 2112. There are very subtle guitar things that are on the verge of subliminal, but they reveal themselves on subsequent listens. Even right after listening to Seargent Peppers on headphones, it still sounded good, as a matter of fact the genius of the soundscaping is in the same ballpark. Even when I saw these guys in concert for some reason I hadn't gotten it with the new stuff, although Earthshine revealed itself well in the live setting. I listen to King Crimson, Yes, Alan Parsons, ELP, and Genesis, and this album is toward the top of the list even compared to the best of all those. If the definition of progressive is evolving, these guys just did it, they made a major new update to their sound, and are in uncharted territory once again, and it all sounds up to date, and good! Oh, and is there any sign of burnout or "age" setting in? Absolutely none, this is as vibrant as ever, and much more so than Test, which I also like, but has been surpassed by lightyears here. After you read this buy this album, immediately, and buy an extra for a friend!
Showing reviews 1-5 of 818
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